Death and the Devil

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In the year , under the supervision of the architect Gerhard Morart, the most ambitious ecclesiastical building in all of Christendom is rising above the merchant city of Cologne: the great cathedral.

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Far below the soaring spires and flying buttresses, a bitter struggle is underway between the archbishop of Cologne and the ruling merchant families to control the enormous wealth of this prosperous commercial center—a struggle that quickly becomes deadly. Morart is the first of many victims, pushed to his death from the cathedral's scaffolding by a huge man with long hair, clad all in black.

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  8. But hiding in the branches of the archbishop's apple orchard is a witness: a red-haired petty thief called Jacob the Fox, street-smart, cunning, and yet naive in the ways of the political world. Out of his depth and running for his life, he soon finds himself engaged in a desperate battle with some very powerful forces.

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    Most dangerous of all is the killer himself—a mysterious man with remarkable speed, strength, and intelligence, hiding dark secrets that have stripped away his humanity and turned him into a cruel, efficient hired assassin who favors a miniature crossbow as his weapon of choice. But who is he killing for? Jacob the Fox—uneducated and superstitious—fears the killer is the Angel of Death himself.

    Role Artist. Gallery Not on View.

    The Knight, Death and the Devil

    Department Prints and Drawings. Credit Bequest of Herschel V. Accession Number P.

    Medium Engraving. Country Germany. Century 16th century.

    Knight Death and the Devil

    Provenance Baron Charles Marochetti L. Freiherr von Biegeleben L. Rights Public Domain. Classification Prints. Object Name Print.

    Catalogue Raisonne B.